Thursday, June 25, 2015

How a former student reminded me I often say little things with huge implications.

Yesterday I was asked if I’d seen my “Tribute Poster” hanging in the Creative Circus corridor.  I had to admit I hadn’t, had to ask what a Tribute Poster was, then who did it.

Seems a former student, Ashley Milhoullin (now at Deutsch/LA), started a movement among Circus students when she first posted mine in a group of six.  Each has a quote that means something to her.  Reminders she goes back to in those infamous ad industry moments when we’re blind-sided, put off base, question our worth and ability to do the work.  Here’s the one she did for me, along with a blow- up that completes the quote.



I thought about what I meant, then looked through my files to be sure I had it right.

Here’s some of what I wrote on her grade sheet:
“...remember you get “worse” as a result of aiming higher…take creative risks, play with (concept/copy) style – this creates new problems you haven’t worked (out) yet.  But that’s GOOD – says you’re not sticking to what you know…It’s good how you pull it all up to where it needs to be...you give anything/everything a chance – (the) sign of great writing, learning by taking risks, not keeping it safe.”

The only way to grow is to keep it Kamikaze.  Step outside your personal and creative comfort zone. Challenge yourself to reach for less expected creative strategies, KKFs, solutions and the styles.

Growth can be a learning nightmare.  Just when you think you’ve reached your zenith, you’re hit with a challenge to move in a totally different direction.  One that expands your abilities, makes your work more versatile, freer than before.  One that includes insecurity and failure in its success formula.  

You were good.  Now you’re bad.  Until you finally grok a new solution you’ve not tried before.  As long as you keep it up, there's nothing you can't conquer.

Up and down, up and down.  The only way to find our best is to push ourselves from the safety of what we know into the scary, painful arena of doing what we’ve never done before.  May not work the first time.  Or the second.  Each try, every “failure,” we learn something else about what we’re trying to do, how high we must reach.

Then we get it right.  Boy am I good again.  The rub: too many creatives stop there, with a slightly bigger, better creative comfort zone.  Great creatives risk more, keep trying newer, smarter, less expected trips outside it.

For a while¸ the failures add up and we’re “bad” again.  It’s a continuous cycle of reaching¸ “failing.”  Getting better better better with each try.

That's the thing with ad creative.  You’re only as good as you are willing to risk being bad.  

Poster (c) 2015, Ashley Milhollon
Blog Post (c) 2015, Doreen Dvorin/Kamikaze Creative(TM)


Tuesday, June 23, 2015

But Wait! There's more! Perhaps there are a few Prospect Centric wannabe Copywriters out there.

This morning I received an email in response to my last post.  A student who attended one of Kamikaze Creative Strategy workshops a few terms ago.  Asking if I would consider teaching it again so he could further grasp it's intricacies.

One student out of over 700 hits/post isn't much (granted, I just posted yesterday).  But even if I have to tutor just this young man out of class/on my own time, I will.  Anyone else who feels the same, get in touch.  Perhaps there's hope after all.

NOTE:  My ebook on Prospect Centric Kamikaze Creative Strategy is going slowly - am in third edit and keep finding things I left out and worse - things I've repeated too many times.  Will do my best to get it out by fall, will announce when it's available.  D.

Sunday, June 21, 2015

PROSPECT CENTRICITY VS. THE FOUR INCH SCREEN: Why I won’t be teaching Kamikaze Creative Strategy™ in my Open Seminar July 10th. Learn the Kamikaze Creative Copy Sins™ instead.

The first Friday of every Circus term, I do an Open Seminar on Prospect Centric Kamikaze Creative Strategy.  Open to All – students of any school (ad, high schools, college/ university, Circus or not), professionals or anyone else with an interest. 

This term’s Open Workshop will be Friday, July 10th, 9:30 a.m. to noonish (with break).  The subject, however, will not be Prospect Centric Kamikaze Creative Strategy™. 

I’ll be doing an interactive examination of The Kamikaze Creative Copy Sins™ instead.

The Kamikaze Creative Work Plan™ and Prospect Centric Kamikaze Creative Strategy™ are the most important things I teach.  They’ve spread throughout the industry.  I’m still editing their e-book, still represent the Prospect in creative, still use the KCWP™ for Copy/Concept/Content assignments (media regardless), strategic consultations with Start-Ups, businesses huge to small. 

The switch?  I am tired of beating my head against a wall so thick, the only evidence is the pain where I sit. 

Prospect Centricity is the basis of everything we do.  B2B, B2C, Direct, Old, New, Social, Video, Emerging, Apps, e-anything, Promotional, Editorial – what we write must be an honest, intimate, meaningful conversation with the person we’re trying to reach/motivate. 

We must grok our Prospect on every level.  Recognize and understand them by common analytics.  Learn their differences.  Gut the common emotional threads holding together huge, demographically similar groups of people. Prospects so close, at the same time so far apart.  

Blame it on helicopter parenting, on addiction to constant babbling contact, on everyone-gets-a-trophy.  Blame it on a generation’s total focus on self, life lived through the four inch screen.  Whatever it is, I’ve not been able penetrate.

Years ago I had a student – now a famous, internationally recognized ECD (you’d know him if you saw his picture) – live that “you never really know a man until you have walked in his shoes” truism.  I bade him spend a day wearing someone else’s shoes.

Prospect Centricity – empathizing with the Prospect.  Today, he tells me it’s one of his work’s guiding principles.  The shoes did it.

Unless you’re Counselor Troy (ST Next Gen), empathy is something most must grow into.  A few are born with it.  Some learn in church, at home, in books, life, the streets.  Without an empathic connection, the complete Prospect grok, you may be able to manipulate a Prospect (Blog 3/21/15) but Motivate?  Doubtful.

It’s been growing.  The more I get in front of the Me and My Screen generation, the more I fail.  Being able to speak only to each other is no way to succeed in advertising.  Or life.  Yet that’s all most seem to want – or be able – to do.

This past term, I gave students a modified version of the “shoe walk”  my ECD friend found so important.  Handed out an assortment of thrift store finery to wear, take selfies of themselves with people outside their experience they came into contact with.  Study how people’s perceptions changed based upon their dress.

A Hail Mary assignment after a near complete failure of my “Go somewhere you’d never go” assignment.  (It's in the blog, too), I hoped this second excursion outside their comfort zone would spark emphatic beginnings, understanding, caring, realizing theirs was not the only world people live in.

Of all the selfies/photos I got, only one included a stranger, looking.  

The rest, pure selfies, showing their embarrassment at the thrift store items I required they wear.

Enough.  I stopped working on Creative Strategy, only on copy.  I offered outside sessions on the KCWP™ and Prospect Centricity.  One taker.  The same student who took the picture of someone beside himself responding to his glittered plastic-alligator American Gucci handbag.  He was also Number Fourteen on the “A” shirt list.

This coming term, on Friday, July 10th at 9:30 a.m., I will be holding an Open to All workshop on the Kamikaze Creative Copy Sins™.  I get many letters re: the Kamikaze Creative Copy Sins™ – check my LinkedIn recommendations, you’ll find plenty of support of their continuing relevance, importance. 

I will not stop writing, talking about, practicing Prospect Centric Creative Strategy.  The bedrock of hundreds, possibly thousands of CCOs, ECDs, CDs, shop owners and other creatives who passed through my classrooms.  I’ll just not be teaching it formally, as part of my curriculum.
I cannot fight the narcissism of the four inch screen.  I will restrict my teaching to strictly writing copy.   

So (a Kamikaze Copy Sin, did you know?), please attend the July 10th Open Kamikaze Creative Copy Sins™ workshop.  9:30 a.m.-noonish, with break.  Handouts end of the session.  Tell the security person at the Creative Circus student entrance you’re there to see me, you’ll be directed to the auditorium.  Attend, I promise you will never write – or read – anything the same way again.

FOR MY CURRENT STUDENTS AND OTHERS:  Bring magazines w/print ads – Motor Trend, House Beautiful, Forbes, Wired, Esquire, Rolling Stone - anything with ads in it.


Wednesday, April 8, 2015

Quarterly Free Creative Strategy Workshop Again - will I see you Friday?

As is my custom, the first Friday of every new Creative Circus term I do an Open (as in Free, Everyone's invited) Workshop on Kamikaze Creative Strategy(TM).  This term it's this Friday, April 10th, 9:30 a.m. - noonish.

You do not need to be in my class this term to attend (although if you are, it is required).
You do not need to be in any Circus class to attend.
You do not need to be in an ad school, ad program or even a student to attend.  I frequently get professionals, friends of friends, freelance clients (mine and those working with others) and those poor disappointed souls in search of free coffee and donuts (not offered).

You will be asked to leave your name and email address (optional) so I can send you free material.  You will be given a free handout at the end of the session.

To attend, turn off all electronics, be prepared to take notes w/pen/pencil/paper (I will explain), enter the school through the student entrance (the 2nd entrance, with the ramp leading up to it), tell the desk person you're here to see me and you will be escorted to the auditorium (where it usually happens).

You will not be sold anything, need not say a word to anyone (although questions are encouraged).  It's something I believe in.  Something I know will help every creative out there solve their creative problems in an easier, more intuitive manner.

For those of you in my class this term, attendance to workshop (and Thursday afternoon's first class) is required.  If you have any questions, you can reach me @kamikazecreative@gmail.com.

Welcome to my world.  Doreen

Saturday, March 7, 2015

You can’t find the Prospect in a four inch screen and other thoughts about everybody-gets-a-trophy

I preach a great deal, push a great deal about The Prospect as the heart of everything we do.  It seems there are some – what I thought were fully explained – confusions about what I mean when I say this. 

Creating a smart, insightful Kamikaze Prospect Definition isn’t mere intellectual exercise.  It’s not descriptors – education, sex, age, marital/parenthood status, income, geography.  They can’t give you the gut feel needed to strike a previously unexplored balance between who the Prospect is, what they may think about your client’s product/service.  Let alone how to meld the two into one universal Prospect centric concept carrying a can’t miss message in a Hey that’s me! Language of Concept.

It’s not how they dress.  It’s how they feel about how they dress.  Not who they vote for.  It’s how they feel about the act of voting 

We frequently work with huge, seemingly disparate Prospect Pools.  Not everyone is like everyone else, but they do fall into marketing maven determined classifications based upon general societal commonalities.  There will also be something – some universal truth, emotional thread, actionable attitude – which holds them together beyond the classifications, descriptors, categories.  Find it.  Push behind it, under it, through it.

Strip it down.  See, feel, intuit what’s behind its every shadow
.   
Working moms with corporate management positions suffer the time/balance crunch between kids, home, job, self and hubby.  But how can you use that conceptually for any product with nothing – zip, nada – to do with the time/life balance crunch? 

Push what’s behind, through, under the commonality.  Find new ways to express it, interpret it for both Prospect and client. 

Okay, we know all Prospects in the Prospect Pool struggle to find and maintain a healthy life/work/family balance.

What came before it?  Will having kids/family keep me from fulfilling my professional goals?  What’s before that?  What are the accompanying/often conflicting questions – and all possible answers – leading up to the time/life crunch we’ve been given?  Push. Push.  Strip it down to what’s before that.  And that.  And that.

What comes after?  Do kids/family give me the grounded support I need to remember what I’m working for?  Push. Push.  Work through all the accompanying/often conflicting questions, all possible answers.  Then push some more, even when the answers you find lead to – of course – yet more questions.

How do you pass through it?  Better hire a nanny, cook, tutor, babysitter, house keeper.  If only.  Ditto the questions, ditto the answers.  Push. Push.

What about what’s under it?  Is this all there is?  What was I thinking?  Is it even possible?  You know what comes next.  Push. Push.

One universal truth.  At least four threads – each leading to at least four more threads + four threads behind those.  Each expresses a single, different commonality/emotional thread.  All could lead your Prospect to your client in unexpected, conceptual ways.  On message and in Language of Concept (tone/voice you use to speak to the Prospect).

Yet too many students, beginners, even professionals – still see that working mother within the single dimension of one convenient label.  No matter they've found all the disparities, all the intellectual details, may have spent hours mining hard data.
 
What they don’t do is apply their gut.  Not their imagination.  Not what they see as probabilities.  Their gut.  That sense of coming trends, individual insight, recognition between seemingly vastly different people across rooms, miles, countries, lifetimes.

Can you do motivational, Prospect Centric work on gut alone?  I don’t know about you, but I can’t.  And I have one heck of a “gut” developed over decades of growing up always “the new kid,” living as a local in places I obviously didn’t belong.  Listening.  Watching.  Most importantly, talking, asking, exploring, caring.  Without judgment.  Without reservation.
 
In other words, being one with the world.  Whether it’s my world or not.

With apologies to Salt-N-Peppa, Herbie Mann, Push. Push.

I’ve been seeing some pretty strange, confused and confusing interpretations of this lately.
If you consider your prospect pool a single person, give that person a name, a specific job, number of kids, pets, a certain family unit and geography, your correspondingly narrow creative strategy and solution can eliminate the rest of the group.

Consider your Prospect Pool too broadly, your creative will be everywhere but where your Prospect will find it motivating.  All you’ll have to build on will be clichés, generalizations, product information.  Regardless how huge the group, how general you think you have to be to address them, there are always at least four more ways to express, dissect, examine, push your gut and intellectual universal truths into less expected, surprising concepts.  Before, after, through – push.  Push.

I realize this may be difficult for those living life in a four inch screen to grasp.  This bigger picture/universal truth aspect of Prospect Definition’s far too big.  The screen, barely the size of a decent selfie.  The creative possibilities, impossible to divide into neat little touch screen compartments.
 
Your universal truth – your Kamikaze Key Fact – is at once common within the group, even as it barely skirts the boundaries of what makes everyone in your Prospect pool different. 
We may all see a different culprit in the time/family/work balance formula – traffic, non-stop after school activities, travel for work, eating meals standing up/on the go – but we must expose what’s behind the obvious to speak differently.  To cut through the clutter surrounding a prospect pool constantly bombarded with the obvious: how little time they have.

A few more Prospect Centric thoughts spinning my head of late:

Q:  How can you expect ten dollar words to motivate someone with the (sad but true) American average Seventh Grade Reading Level.  What’s the solution?  Dumbing down your copy?  Or helping to raise the reading average?

Q:  Who is it I’m supposed to know?  How do I get behind, under, through, before?  Go Zen.  Be the prospect.  Be the Tree.  Learn to see through descriptors from the inside, out.  Live the Prospect, don’t just observe.  Observation only creates pack imitation.  Be the Prospect.  Be the tree.

Q:  If every kid gets a trophy, must we stop group sports and other non-competitive competitive activities before no one’s left who understands the difference between genius and mediocrity?

Q:  It’s about time to stop this post, don’t you think?


As with everything posted on kamikazecreative.blogspot.com, this entry ©2015, Doreen Dvorin/Kamikaze Creative™ unless otherwise noted, dated.


Sunday, March 1, 2015

HUCKSTERS, SHILLS, SELLING ICE TO ESKIMOS: Why I hold students, co-workers and clients to such high Ethical Standards

Thanks to Congress and Used Car Salespeople, the ad trade no longer anchors the “Most Trusted/Respected Professions” list.  According to Gallup, today we’re held in slightly higher esteem – third from the bottom, up from dead last.  When it comes to how many individual ad people are trusted, seems Americans would turn their back on less than half of us. 

That’s terrible! say too few.  Who cares! say many too many more.

Where do I stand?  If you’ve taken my classes, asked for advice, attended one of my seminars or speaking gigs, been my creative partner, my client, you wouldn’t question it.

There are two ways to look at everything we do.
 
We can be manipulators.  Or we can be motivators. 

We can take advantage of the world economic engine.  Or we can help keep it fueled.
 
Sell ice to Eskimos, bridges to Innocents.  Or speak to people we like and respect.  Honestly communicating product benefits they find important, useful – never exaggerated, over-promised, without choice.

Why bring this up now?  Why me?  I’ve never been afraid of the harder road.  Never sold one of those bridges.

I teach Kamikaze Creative Strategy™ and Advertising Concept/Problem Solving/Copywriting.  A style of thinking so Prospect Focused, that great mass of strangers needing our client’s goods/services/points of view are as near, dear – and morally important – as those we care for most.

Everything we do hinges on Prospect Knowledge, Prospect Respect.  Leading to Prospect Belief. 

Watching late night info scams, reading all those paid/written by social media hack internet reviews, you’d think just the opposite.  But that’s not the kind of work I do.  Not the kind of work I teach.
 
I never think, “wade in muddy waters - do trickster stuff, play huckster games with client money, earn lots of my own.”

I say “connect people with goods and services they need, want or can have fun with using honesty, creativity, prospect knowledge and respect.”

If everyone in the industry took that same path, would it change our public standing?  Perception being reality, probably not. 

Who cares?  In Doreen’s World of Kamikaze Creative™ it means a great deal.  I’ve seen Presidents, Senators, Members of Congress, CEOs, murders, even everyday traffic scofflaws perjure themselves.  For the most part, get away with it.  That still doesn’t mean I should do the same.

A better-than-many presenter, tapped to sell bad work to good clients when no one else could, I often left jobs without plan or back-up.  Often risked my job to disagree with superiors rather than charm and swarm wrong or mediocre work into client approvals.  As a freelancer, I risk clients when what they want – and what their customer needs – are far from one and the same.

It’s the way I live my life.  The way I work.  The way I teach.

I also believe if most people took the time to think about it, they’d choose the same path, or as close to it as reality allows.

So why the bad rap?  Sometimes it’s ignorance.  Sometimes ad “pros” truly don’t know what they say is wrong, aren’t aware there’s a better, smarter way to their Prospects’ heart through their sense of right and wrong.  There’s also the reality your work isn’t just your work, a job’s not just your job – it may support a dozen other people, families, children, as well.  That’s a lot to risk.  I don't judge.

I’m here to tell you there is a better way.  One that’s smarter, truer, more effective.  One that more ad pros endorse, live by, than get credit for.

Let strongly held personal and professional ethics be your guide. 

If you do it, own it.  If you don’t, own that too.  Forget Shirley Jackson* and her derivatives/imitators.  If the fault’s mine, I need no scapegoat.  I own it.  If I’m wrong, I apologize, do what I can to correct my mistake.

What I never have – never will – do is blame my shortcomings, mistakes, off-prospect communications on someone – anyone – else.  Sure, it’s easier to say “the client didn’t give me the right input,”  “the account person told me to keep it,”  “the CD told me all that matters is winning awards.”  We also have the opportunity at every possible junction to say Wait!  There’s a problem here.  We need to fix it.

It’s your career.  As students.  As professionals.  The truth starts here.  Advertising ethics can be meaningful or an oxymoron.  Up to you.  You have only yourself to answer to – you, your CD(s), account people, production people, clients and – ultimately – your Prospect.
 
If asked, I know my clients and co-workers would put me at the top of the “most trusted” list.  What you need to decide, where do you want them to put you?

Advertising is a team sport.  Cheat, steal, slack off.  Lie, make false claims.  It isn’t politics, it’s Advertising.  Burn your creative partner, they’ll work with someone else.  Burn your client, be prepared to be known as the writer who lost the XYZ account and was never seen again.  Burn your Creative Director, hope your portfolio’s in order.  

If the people you work with, you work for, don’t trust you, you may last.  You may even prosper.  But sooner or later – in this lifetime or the next one - no matter how good you are, karma will notice.

Sure, sometimes nice/honest folks finish last.  True, not all cheats get caught.  When they do, many either die denying or try to turn it on another, honest person. 

One of the most popular client company (and sadly, ad industry and creative organization) speaking programs I do is called “How to Judge Ad Creative.”  What I teach isn’t about subjectivity, rules of thumb or individual tastes/insights.  It’s about how to look at work, how to see what it’s based upon, who it’s meant for and how to marry these together – using graphic, strategic and creative education - to properly consider if the creative is right for your Prospect.  And therefore, if it’s right for you.

I believe we’re not here to bury the client, the doubter, the unbeliever.  We’re here to educate them.

That’s the concept behind Kamikaze Creative™.  Being willing to risk your job on an idea good enough, right enough, honest enough to ask the client to risk her/his job, too.  And to make sure that client knows as much as you why the only risk is not taking one.

Every time you present, the unexpected smartness, honesty, educated gut and originality of everything you show must put you both out on that limb.  As long as you’re not selling melting ice or distant bridges, your honest belief, based upon honest, intimate Prospect Knowledge and Respect, will prove it

*Shirley Jackson's "The Lottery."  If you haven't read it, you should.


Kamikaze Creative(TM) and Kamikaze Creative Strategy(TM) are trade marks of Doreen Dvorin/Kamikaze Creative.  This blog, as with everything else published in this blog, is (c)2015 or earlier by Doreen Dvorin/Kamikaze Creative unless otherwise noted

Wednesday, January 28, 2015

Haiku to you, too: Doreen shows you what one student can do

One of my more popular assignments - and blog posts - is the Ad Haiku.  Seems everyone loves to write them.  Very few understand how great they are for learning to write copy.

The Haiku has several common characteristics, all of which force each Haiku to express common experiences in uncommon ways.

For the copywriter, ad haiku teach:

Brevity.  No extra syllables for wasted words, verbs that just lay there, extraneous or lazy/weak anything.  No articles, prepositions.  Each word must contribute.  Each word must count.  The result should be visual (not descriptive - huge difference), evocative.

Ad copy should do the same.

Say it with Structure.  You can't write flat, uninteresting lines creating haiku.  If you do, they lose energy, run down hill, merely say it.  The fun, romance, excitement and movement of the thing bogs down in poor structure.  

Haiku are a great way to learn mixing it up, changing word orders in unexpected ways, perfecting more oblique structure for emphasis, movement, visual (not descriptive) and evocative emotional appeal.

Ad copy should do the same.

The twist (kiru).  Haiku's kiru plays the third line off the first two in a kind of "You think I have you here, no here's the unexpected place I'm taking you" manner.  The third line can be seen as the reveal.  When done well, it forces the reader to participate and the third line, is an "expected surprise."  How can a surprise be expected?  You think you know where it's going, it may take you there - but never in the boring, lay down flat way you think/expect.

Ad copy should do the same.

Below are three ad haiku written last term for the same product - The Creative Circus.
They're a bit 'insider," but work so well, with third line reveals following the second line kiru/twist, they still should make sense.  Where they're too insider, I'll provide the missing info only a current/past student would know.

knowledge has its price
thinking worth every cent, still...
cheap toilet paper

silent monolith
behind cold aluminum gates
why, hello Andrew*
(*Andrew is the Circus' head of security, he rules from the welcome desk at the student entrance.  He's also a great guy, much beloved by all, faculty and student alike.)

This last one has a name, "Norm Grey"
asleep in forum
dreams of faces who've lost names
his school sets us free

(*Norm is the Creative Circus' newly inducted into the One Club's Educator Hall of Fame Creative Director Emeritis.  He's one of the Circus' founders and has probably counseled, taught and critiqued more ad students than any other person, living or dead.)

That, my friends, is how ad haiku should be done.


Haiku(c) 2014, Reilly Schlitt
The rest of this entry, as with all posts in KamikazeCreative.blogspot.com, (d)2015 (or earlier), Doreen Dvorin/Kamikaze Creative(TM)